The video of No Tears Left to Cry is a symbolic representation of this state from the point of view of the slave who must navigate in an inner-world created by her handler. (For more information on Monarch Programming, read this article). This describes the mental state of dissociation as their handler controls their internal world. Each movie features a young girl that is swept away into a fantasy world where anything can happen, where nothing makes sense and where anything can morph and change at any moment. There is a reason why the movies Alice in Wonderland, The Wizard of Oz and Labyrinth are used as MK programming tools: They’re all based on the same structure. During this state, the handler can “shape” the inner-world of the slave and even change the “rules” of this world when need be. The goal of Monarch programming is to cause trauma so intense that it forces the slave to dissociate from reality as a defense mechanism. Indeed, through clear symbolism, Grande plays the role of an MK slave that is lost and trapped in a dissociative state to escape trauma. While there’s most likely a reference to the Manchester bombing in there, the video adds a deeper level of interpretation. The song refers to the aftermath of a sad and traumatic event, one that was so hard that there are “no tears left to cry”. As if to confirm everything above, the video is replete with obvious MK symbolism. Now, one year after the attack, Ariana Grande has released No Tears Left to Cry. Nearly all of the artists who performed at the Manchester One show have been featured on this site for their Illuminati symbolism.
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